Refia Sena Çelik
Data Visualization
This project maps structural relationships between nine foundational texts in design theory and nine musical forms. The premise is not metaphorical, each pairing proposes that the organizational logic of a design theory finds its structural equivalent in a musical form. Gropius's synthesis of art and technology resonates with Bach's harmonic architecture; Burckhardt's invisible systems align with Cage's silence as form.
***Visual language informed by the graphic music notation tradition, particularly the experimental scores of Gabrielle Cerberville.
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